After noting that a fellow MA student has had the foresight to collate all his reference material to date in an orderly manner, I have proceeded to kick myself as I had not done this.
It has taken a while to collate the sources from previous assignments, scribblings and entries on this blog, but i've come up with a fairly complete (ish) list of all the research undertaken while navigating my ideas for the exhibition piece.
All the references are from items used for final project-related assignments, the blog and those that have had an impact on the project but not used in previous documents.
This list will change as I read more pieces and examine other works. As I will need to refer back to much of it during the final evaluation, it seems the right time to get it all into one list. Bit boring but necessary.
Barrett, T. (2000) Criticizing Photographs: An Introduction to Understanding Images, Third Edition, California: Mayfield Publishing Company.
Barthes, R. (2000) Camera Lucida: Reflections on Photography , London: Vintage Books.
Baudrillard, J. (1968) The System of Objects, London: Verso
Brown, C. (2006) “Looking at the Overlooked” , in K. Newton and C. Rolph (Eds) Stilled: Contemporary Still Life Photography by Women, Cardiff: Ffotogallery Wales Limited, pp. 72 – 75.
Bryson, N. (1990) Looking at the Overlooked , London: Reaktion Books.
Bunnell, P.C. (2006) Inside The Photograph: Writings on Twentieth-Century Photography, New York: Aperture.
Eagleson, D. (2008) “Dennie Eagleson: Archaeology of a Life (2004)” , in Belt, F.A (Ed.) Understanding and Creating Sophisticated Images, Oxford: Focal Press, pp. 136 – 139
Fraser, P. (1988) Two Blue Buckets, Manchester: Cornerhouse Publications.
Fraser, P. (2002) Peter Fraser: The Photographer’s Gallery, London: Arts Council England/London Arts.
Friday, J. (2002) Aesthetics and Photography, Hampshire: Ashgate Publishing Limited.
Glanville, T. (2002) Actual Life, Kent: Photoworks.
Goldin, N. (1979, 1985, 1991) Empty Beds, Hafen, The Parents Wedding Photo. [Photographs] (Vakat)
Gross, L et al. (2003) Image Ethics in the Digital Age, Minneapolis: University of Minnesota Press.
Hardy, A. (2004) Interior Landscapes Exhibition, Saatchi Gallery.
Hope, T. (2001) Still Life: Developing Style in Creative Photography, Switzerland: Rotovision.
Lee, YJ. (2003) Still-Life Portfolio, Deutsche Borse Group
Lury, C. (1998) Prosthetic Culture: Photography, Memory and Identity, New York: Routledge.
Lunsford, P.C. (2006) “Still Life: A Visual Interrogation of Habitation” , in K. Newton and C. Rolph (Eds) Stilled: Contemporary Still Life Photography by Women, Cardiff: Ffotogallery Wales Limited, pp. 29 – 33.
Martin, R. (1999-2002) “Curating the Museum of Sources: Stilled Lives, Memory, Mortality and the Domestic Space” , in K. Newton and C. Rolph (Eds) (2006) Stilled: Contemporary Still Life Photography By Women, Cardiff: Ffotogallery Wales Limited, pp. 53 – 59
Morris, W. (1999) Time Pieces: Photographs, Writing and Memory, New York: Aperture Foundation Inc.
Price, M. (1994) The Photograph: A Strange Confined Space, California: Stanford University Press.
Prosser, J. (2005) Light in the Dark Room: Photography and Loss, Minneapolis: University of Minnesota Press.
Roberts, J. (1998) The Art of Interruption, Manchester: Manchester University Press.
Scott, C. (1999) The Spoken Image: Photography and Language, London: Reaktion Books Limited.
Shafran, N. (1999) Dad’s Office: Nigel Shafran, Netherlands: Veenman Printers.
Taylor, J.R.J. (1989) Ideal Home: A Detached Look at Modern Living, Manchester: Cornerhouse Publications.
Thompson, J.L. (2003) Truth and Photography: Notes on Looking and Photography, Chicago: Ivan R. Dee Publishers.
Wheeler, T. (2002) Phototruth or Photofiction? : Ethics and Media Imagery in the Digital Age, New Jersey: Lawrence Erlbaum Associates.
Williams, V. (2006) “Death, Disorder and Melancholy in the Contemporary Still Life.” , in Kate Newton and Christine Rolph (Eds.) Stilled: Contemporary Still Life Photography By Women, Cardiff: Ffotogallery Wales Limited, pp. 6 – 8.